New Adventures in Technology

This evening I’m dabbling with RGB MusicLab. It claims to turn images into sound, and from my first couple of experiments it seems very interesting. I think whoever created this likes free jazz and post rock, but that is fine because so do I.

I don’t really know where to start when trying to draw up a list of songs or albums that sum up the last 10 years. 2000 was a long time ago (10 years, in fact), and I’m not sure I can be truly objective when comparing things I’m listening to now and records that I remember being at least as important at various other points in the last 10 years. I love the new Flaming Lips album, but is it really better than Yoshimi Battles the Pink Robots? Is In Rainbows better than Kid A, or was it just released more recently? And is it really possible to sum up a decade in a list of records?

My gut instinct is that no record released this year should make the list. Just because I’ve not had time to assess their importance. But at the same time I don’t think that’s fair to an album like The Hazards of Love, which I reckon I’ll still be listening to in 2019.

So without further ado, a first stab at a list of records from the last 10 years that I think people should own, and that in some way sum up the decade for me.

Radiohead – Kid A (2000) – To me this record redefined what a big selling record could sound like, and did a great job of sounding like everything I was currently listening to at the time (Tortoise, Jim O’Rourke, Miles Davies and a few even more esoteric things). Everything they released this decade would get into my top 100, but this is where they laid down the blueprint for what was to come. I bought this album the day I had my first interview to work at the University, and to me it perfectly sums up 2000.

Wilco – Yankee Hotel Foxtrot (2002) – The album that introduced me to Wilco, and that marked them out as something more than just an alternative country band. It was also the first album (I think) that was streamed to listeners before it was released, and marked the first of four consecutive great albums they released between 2002-09. It was hard choosing between this, A Ghost is Born and Wilco (the album), but I think YHF just shades it, and is the one I’d recommend people start with.

The Arcade Fire – Funeral (2004) – They seemed to come out of nowhere, and to be critically acclaimed without ever being fashionable. This album was the one that really introduced me to them, and made me realise that there was something coming out of Canada that wasn’t 24 minutes instrumental masterpieces or trite pop songs. I played this album to death in 2004, and still dip into it every now and again, and it is something I would recommend to anyone who likes music.

The Hold Steady – Separation Sunday (2005) – I didn’t discover this band until their 4th album (Stay Positive), but soon fell in love with their second effort from 2005. They are described as a bar band, but I see them as the 21st century version of Jack Kerouac and the best storytelling band ever. The music is loud and simple, the lyrics are narrative and hilarious, and the fact that something made in 2005 topped my listening charts for this year just goes to show it is something special.

Elbow – The Seldom Seen Kid (2008) – Last year’s album of the year by a mile, and something I keep going back to when I want to be reminded of 2008 (which was generally a good year). I’ve been a fan of theirs for a while, but this is the first album where I would recommend every single song.

Calculated using the same algorithm as the last two years, and only including albums actually released this year.

1. The Decemberists – The Hazards of Love
2. Wilco – Wilco (The Album)
3. The Horrors – Primary Colours
4. Portugal. The Man – The Satanic Satanist
5. Florence and The Machine – Lungs
6. Jarvis Cocker – Further Complications
7. The Big Pink – A Brief History of Love
8. Califone – All My Friends Are Funeral Singers
9. Doves – Kingdom Of Rust
10. Maxïmo Park – Quicken The Heart
11. And You Will Know Us By The Trail Of Dead – The Century of Self
12. Robyn Hitchcock – Goodnight Oslo
13. Editors – In This Light And On This Evening
14. Manic Street Preachers – Journal For Plague Lovers
15. Bear in Heaven – Beast Rest Forth Mouth
16. Julian Casablancas – Phrazes For The Young
17. Fresh Body Shop – The Ugly Army
18. Atlas Sound – Logos
19. David Byrne & Brian Eno – Everything that Happens will Happen Today
20. Monsters of Folk – Monsters of Folk

Oddly enough, three of my most played (and favourite) albums of 2009 were released prior to 2009. They slot into the top 5 as follows:

1. The Hold Steady – Separation Sunday
2. The Decemberists – The Hazards of Love
3. Wilco – Wilco (The Album)
4. British Sea Power – Do You Like Rock Music?
5. The Hold Steady – Stay Positive

Nothing else from before 2009 got anywhere near the top 20 (American Demo by The Indelicates being the closest by some distance).

This week I’ve largely been:

• Listening to the new albums by The Flaming Lips, Atlas Sound, Charlotte Hatherley and Broadcast (all of which I’m really enjoying)
• Updating my main workstation to Ubuntu 9.10
• Learning about Google Wave
• Trying to juggle various work tasks (and not dropping anything hopefully).

Oh, and I still hate this time of year. Even though we had no annoying begging children this year, there is still the firework-hating dog to deal with.

At various points in the last few days I’ve been fairly convinced that I’m ill. I’ve had a sore throat, various wheezing fits, and a general sense of tiredness that sleep does not fix.  The annoying thing is that each “episode” only lasts a few hours and then I feel fine again. Maybe it’s my super-immune system kicking in, or maybe I just need a holiday and I’m not ill at all.

In other (more relevant) news, I’ve been losing myself in the new Flaming Lips album for days. It’s epic (over an hour and a half if you download the iTunes version), and a very challenging listen, but if you like music that makes you think and that is a little (lot) to the left of the mainstream then I’d very much recommend it. I’m also liking the new Califone album (for those times when I need to be soothed rather than challenged), but have otherwise not bought a great deal of new music recently.

Of course, by “recently” I mean this month.

I’m really taken with the debut album by The Big Pink. It reminds me of all sorts of other things, but above all it sounds like a record that really belongs on 4AD records. I’m partly reminded of The Wolfgang Press and Dif Juz, but also a lot of 90’s shoegazing bands.

It’s certainly well worth 11 emusic credits, and probably worth a lot more than that.

I’ve been back at work a week now, and it really does change the way I listen to music. Over the past week or so I’ve actually only really listened to things whilst travelling to and from work, so at least half of my listening time is taking place quite early in the morning (where I prefer to listen to quieter and slower music). This has lead to me spending a lot of time with the new Yo La Tengo album (which I’d recommend as a good starting point), and also with the (still) brilliant Wilco album, which gets better with every listen, and which might even be my favourite album of theirs now.

I didn’t watch the Mercury Music ceremony in the end (Dollhouse was more pressing this week), but I’m slightly disappointed with the result. I’ve heard bits of the winning album, and I don’t think it offers anything I’ve not heard before. I’d like to have seen Florence winning, but it doesn’t change the fact that “Lungs” is a great album that would appeal to most people who can appreciate music made by someone who gives a damn.

Various freely available MP3s by Portugal. The Man - I’d not heard of this band until about 3 hours ago, but am actually quite taken with them now. It’s American indie with a strong side order of psychedelia, and I think I could handle a whole album of this easily.

The Butcher’s Ballroom by Diablo Swing Orchestra – Another great name, and an album that I can only describe as a cross between Opera and thrash metal. Except it is a lot better than I’ve made it sound, and is the sort of thing that should be made into a musical.

Before We Stand… We Crawl by Hungry Lucy – Interesting trip hop, with a female singer who can sing, and some killer melodies to go with it.

All are freely available to download.

James Blackshaw is a London based guitarist who creates 12 string guitar and piano based instrumental soundscapes. I’d been meaning to check out his work for a while, but only got round to downloading this album yesterday (another case of needing to burn a few emusic credits quickly). Each of the five tracks is different, but they gel together quite nicely to make something that manages to be both melodic and experimental at the same time. He’s been mentioned in the same breath as a lot of guitar greats, but I’d actually throw Jim O’Rourke or one of the other Chicago scene improvisers into the mix, as this music makes me feel the same way Bad Timing did when I first heard it. This music does not need vocals, or lyrics, or drums. It just needs to be listened to with an open mind. I think I’ll certainly be checking out his extensive back catalogue over the next few weeks.

The nominations for this year’s Mercury Music Prize have been announced. Usually I have a fairly clear idea of who I think should win, but this year I’m torn between Florence & the Machine, Bat for Lashes and The Horrors. I’ve played all three to death this year, and I think all three artists really deserve a bit more acclaim and money. It also makes me want to check out the nominations I’ve not heard of, as generally I end up quite liking everything that gets nominated.